Posts Tagged ‘Demo’

Line 6 Helix Archetype PRS Archon Demo

Monday, December 12th, 2016

What’s happenin everyone? I got a handful of requests to do a demo with the Archetype Models in the Line 6 Helix so I slammed something together real quick. Here is a quick ditty using the Archtype for cleans and dirtys.

If you would like to download the patches you can get them HERE……GearZombie Archon Patches

Line 6 Helix Rack High Gain Demo and Patch Download

Thursday, November 24th, 2016

helixrack-large

Here is my first quick recording with the Line 6 Helix Rack. All sounds were recorded with the Helix. If you dig it and want to try out the patches I used, click the link below and give them a shot. Included are the high gain patch I used, as well as the lead and clean. Make sure to subscribe on my YouTube and keep an eye out for my podcast on iTunes. I’m just getting ready to start posting some episodes talking more Helix stuff.

Line 6 Helix Patch Download Here!!!!

EVH 5150 III 50 Watt Fender Head Demo And Short Review

Monday, November 25th, 2013

So I borrowed a buddies EVH 5150 III 50 Watt head a couple of weeks ago. I was excited, as a former original 5150 and 6505+ owner, I knew what I was getting into and pretty much expected it to be a variation of some of the same. I expected a mid-rangy tight sounding decent head. Think Soldano which if i’m not mistaken the earlier Peavey 5150’s were modeled around a Soldano. (PS I freaking love Soldano) Now being that this is a Fender product, I was interested for a few reasons. Mostly, they’re not known for high gain heads. They did have the old tone masters that could get up and rip, but not a head that i’m aware of that was a real melter.

When my buddy loaned it to me, he basically said don’t boost it in the front. Which is generally a must for a large amount of tube heads. Not because most tube heads don’t have enough gain, but I would say most don’t have enough usable gain. So you boost it in the front to keep it from getting messy. You still get gain but its tight. This head needs no boost. I ran the gain stage on the red channel around 4 and it was plenty. I ran nothing more than an iSP Decimator and not because it’s a noisy head but because I like tight gate separation when I play as a personal choice.

Anyway, I’m going to write up a full blurb about it when i’m done, I’m going to do a demo walk thru video and also an Axe Fx 2 Tone Matching vid. But again, I think this head is must have.

Later

GearZombiee

Fractal Audio Axe Fx 2 High Gain Demo Diezel VH4 Das Metall Ibanez RG Giger Demo

Monday, June 24th, 2013

Fractal Audio Axe Fx 2 High Gain Demo Diezel VH4 Das Metall Ibanez RG Giger Demo

So I’m starting a series for YouTube and this is going to be my first installment. I want to record all of the high gain amp models on my Axe Fx 2. Maybe I will expand to all models, I don’t really know yet. Something I would like to do but the net doesn’t seem to care about anything other than high gain which is too bad. I’m not going to be scientific about it, because lets face it, what you would do and what I would do are very different.

My lack of science will include things like, playing whatever guitar I want, whatever tuning I want. In the end I just want to make a series of kick ass Fractal videos since as of right now that is my rig and I love it. I’m also hoping to work with Kemper in the future as well as Line 6 and do the same with their products.  So we’ll see hopefully they will give a shot to a Lil guy in the sticks trying to make some Internet noise.

What will be consistent, I’ve decided to go the mic’d cab route for these videos. So the entire signal chain is Axe Fx 2 (cab sim’s off) – VHT 2/50/2 – Mesa Boogie 2/12 V30’s in an isolation box – Shure SM-58 into a Motu 8-pre – into Sonar X1. (I need to upgrade to X2) Very minimal post processing. Very slight eq bump if necessary. And I’m trying to record a brief solo section in each of the tunes, using the same model as the rhythm and adding a little delay.

The only thing I avoided was running the Avalon 737sp in this chain. I avoided it because in one of my other videos people kept picking on the fact that I used an Avalon which makes everything sound great. True, but i’m an idiot so it was easier to just run it in the motu and be done with it.

My plan is to also talk about each one of these experiences and give people a bit of a glimpse of what I do to create the sounds I create.

For this track named (Butthurt Fanboy Disorder) I went with the Das Metall amp sim. I actually left the power amp sim on, I went back and forth on it and to my ears I liked the response better with it on. The cab sim was bypassed. I also used a T808 sim in the drive block. The mic is pointed direct on the cone but moved off of the dust cap.

The guitar is an Ibanez Giger RG all stock nothing special. I hope you dig it and keep watching for more vids.

Hughes & Kettner Triamp MK II Demo

Monday, October 22nd, 2012

Hughes & Kettner Triamp MK II Demo.

Initially I could have cared less what the thing actually sounded like because it is seriously the coolest looking head on the planet!! But I never really gave it a fair shake because I picked up a 6505+ about the same time and was using that live. I found that for heavier playing this head did much better with a drive pedal in the front. In this case a TS-9 as well as an ISP Decimator. Without it, the head breaks up well at higher gain but the sound tends to squish rather than tighten up. For some that may be the sound you’re looking for, I however prefer the high and tight sound. Higher gain but super fast response no lag or squish which adding the Ibanez TS-9 does.

If blues or mid gain sounds are your thing, this would be a killer head. Very warm and appealing sound and a tone of character. This really is a great head for whatever application if you take the time to figure it out.

Peavey 6534+ Orange 4×12 Demo

Tuesday, October 2nd, 2012

 

 

 

 

 

 

 

Here is a quick demo of the Peavey 6534+ played through an Orange 4×12. Good morning world of music type people. As I state in the video the 6534 is basically the 6505 but it uses El34’s instead of 6L6’s in the power section. Does it make a difference? I think so!! In many cases I think the difference between EL34’s and 6L6’s is very slight sonically. And more importantly I think that unless you’re cranking your amp to the sun you’re even farther away from telling a difference. But really in my opinion it’s the pre stage that really makes the amp. But in this case switching the power tubes made the head that much better.

I felt that the 6534+ maybe had a bit more bottom available than the 6505+ but it wasn’t huge. I also liked the clean just a bit more. While people always tend to gripe on forums about how crappy the 6505+ clean is, I personally didn’t mind it. And played it in a band that had a lot of clean parts. Again, the differences were very slight. That being said, I am a bit biased as I ran a 6505+ for a long time and is still to this day my favorite daily driver. And one that I regret selling every day!!

Why did I like it you may ask?? Well, a lot of heads that I also like require a lot of tweaking to get a sound that works for my ears. Take your average Mesa head. Everyone loves the recto sound but for me I always felt it was a bit too sloppy, squishy, fizzy sounding. Now the way to rectify that (no pun intended) is to toss an old trusty TS-9 in front of it and that sucks it all up in a nice tight package. Again, that’s just me personally. But I never ran anything tone effecting in front of the 6505+. I had Clean, Crunch and Dirty and it didn’t matter if I was playing metal or just hard rock that head just fit. And fit where in my mind a head should fit IN THE MID-RANGE!! And that’s really what guitar sound is about, sitting in the middle that’s what it’s designed to do.

Also, I think this is fairly low noise for a high gain head. Granted if you crank the gain to 10 it comes apart like any other head. But I probably ran mine between 6 and 7 and didn’t run a gate live. I really just didn’t need it. So in a nutshell, would I recommend this head?? 100%!! Sure you can get more features out of other heads, but really I think this a workhorse that everyone can play on. If you’re the classic rock cover band all the way to the death metal bands, this head will work and I don’t think you will be disappointed either way. But, what is a good head without a killer cab.

This video was shot through an Orange 4×12, which by the way, simply put the bad mamma jamma on the block. And it should be I think it weighs just as much as I do! Well, maybe 1/3 of me. I think they tip the scale at about 110lbs. Which is massive to lug around from gig to gig. But you know that really using the Orange cab you’re pretty much done with that part of your rig. I can honestly say I’ve never heard anyone say, “Man my Orange is ok but I sure wish I had a ….” That just doesn’t happen. As a matter of fact after playing on a couple of Orange cabs I can say that jumping to them would be a simple decision. Unless of course you’re not interested in a cab that sounds killer, is built like a tank and just looks dead sexy.

Below are some Guitar Center links for the 6534+ and Orange cabs. At least go test drive one!!

Peavey 6534+ Guitar Center HERE
Orange Cabs Guitar Center HERE